Genre: Score Date: 2005 Country: USA Audio codec: MP3 Quality: 160 kbs Playtime: 1:15:44 Thanks to Prowler 01. Spear of destiny 1 (1m1) (1:00) 02. Posession – Meet John 1 (1m3) (2:53) 03. Exorcism 1 (1m4) (2:56) 04. Exorcism aftermath 1 (1m5) (0:52) 05. John at home 1 (1m5a) (0:30) 06.
Confession – Suicide 1 (1m6) (2:54) 07. Encountering twin 1 (1m9) (1:41) 08.
Scavenger 1 (1m9a) (1:04) 09. Gabriel levels 1 (2m11) (1:05) 10. Rifling through papers 1 (2m12-13) (2:26) 11. Vermin man 1 (2m14a) (0:59) 12. Welcome to my life 1 (2m15a) (1:34) 13.
Angela visits 1 (2m16) (0:52) 14. Seplevite attack 1 (2m17) (1:39) 15. Trip to hell 1 (3m18) (3:16) 16. Bracelet 1 (3m19) (1:28) 17. Liqour store 1 (3m20) (2:31) 18. Balthazar flashback 1 (3m21) (0:43) 19. Balthazar flashback 1 (3m21a) (0:47) 20.
John discovers symbol 1 (3m23) (1:46) 21. Isabels room (3m24) (2:02) 22. Finding Beeman 1 (3m26) (2:41) 23. Scavenger steals truck 1 (3m26a) (1:04) 24. I left her alone 1 (4m27a) (2:01) 25. Bathtub (4m27b) (1:57) 26.
Someone was here 1 (4m29) (1:48) 27. Counterweight 1 (4m30) (0:54) 28. Balthazar 1 (4m31) (1:55) 29. Last rites 1 (4m32) (2:04) 30. Pieces – Angela taken 1 (4m33) (1:56) 31.
Francis Lawrence
After midnight part 1 1 (5m34a) (0:52) 32. After midnight part 2 1 (5m34b) (1:37) 33. Angela flown 1 (5m36) (1:09) 34. Angela in pool 1 (5m37) (0:56) 35. One last show 1 (5m38a) (0:59) 36. Gun fight 1 (5m38b) (1:04) 37.
Angela in hell 1 (5m40) (1:04) 38. Get it out 1 (5m41b) (1:32) 39. Gabriel confronts John (5m43) (2:22) 40. Breath of Gabriel 1 (5m44) (2:09) 41. Lucifer arrives 1 (6m45) (3:14) 42. Ascension 1 (6m46) (2:36) 43.
Rooftop (6m48) (1:48) 44. End credits 1 (6m49) (2:39).
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Kevin Brodbin
Constantine (2005) Soundtrack OST Composed by Brian Tyler & Klaus Badelt Tracklist: 01 - Destiny 02 - The Cross Over 03 - Meet John Constantine 04 - Confession 05 - Deo et Patri 06 - Counterweight 07 - Into the Light 08 - I Left Her Alone 09 - Resurrection 10 - Circle of Hell 11 - Last Rites 12 - Encountering a Twin 13 - Flight to Ravenscar 14 - Humanity 15 - John 16 - Someone Was Here 17 - Hell Freeway 18 - Ether Surfing 19 - The Balance 20 - Absentee Landlords 21 - John's Solitude 22 - Lucifer 23 - Rooftop 24 - Constantine End Titles.
Frank Cappello
2011-08-05 419MB 15 15./f5cd0h11-769yv1npwrxts87/Constantine-Constantine.part1 zona-musical.com/postt112532.html Constantine-Constantine.part1 2011-09-15 384MB 8 9./bk70n655-qczt2cy23m6rrf7/Constantine-Constantine.part2 zona-musical.com/postt112532.html Constantine-Constantine.part2 2011-09-15 384MB 8 9 RELATED FILES.
By March 5, 2005 Brian Tyler's style for scoring the dark action/horror genre was unleashed with Darkness Falls in 2003. Tyler's attachment to the 'Hellblazer' graphic novel adaptation Constantine was promising, as Tyler has continued to impress over the past two years in nearly every genre he approaches. But Tyler's score was deemed too 'dark', and so Klaus Badelt ( The Time Machine, Catwoman) was brought on to lighten up some of Tyler's more intense music, with Tyler conducting the final score to the film. For a film where the main characters travel in and out of Hell, it is hard to think that it was the music that was too dark and had to be changed.
Regardless, the final product generally works in the film, but could have benefited from a louder presence toward the end. Tyler's portions of the music that remain have quite an appropriate feel, reminding me of Debney's work for End of Days; the choral piece, 'Deo et Patri' is especially good. The main motif for the film is a repeated rising arpeggio that gives some of the slower scenes a good sense of motion ('Into the Light').
Some of the music sounds oddly like Don Davis' otherworldly soundscape for The Matrix ('Flight to Ravenscar'). Similarly, Badelt's contributions work well in the film, and complement Tyler's work without sounding extremely out of place. The primary musical addition is Martin Tillman's eerie electric cello, which provides a perfect feel for the film. This is first introduced in 'Meet John Constantine' and is used often throughout the score. In 'Ether Surfing' Tillman's cello takes on a very harsh edge, which is an even more unique sound than the electric cello usually makes. These solos alongside Tyler's otherworldly and hellish music combine to make a good accompaniment to Keanu Reeves' portrayal of the tortured soul of John Constantine.